Some carrots I unearthed in deep embrace, grown together.
A still life triptych exploring three variations on a geometric theme- exploring liminal boundaries and framing devices.
Agapantha flowers and hand blown glass- a mixture of textures, mark making and shape design come together in this central image.
Another way in which to inhabit space- the flowers create a relationship with the man-made and conceptual geometric limits of artificial shape.
Chroma! Light! Colour! Yay!
Three Apples, still life produced in Florence, Italy 2017.
Oil on Canvas, 2017
The small figure, nicknamed Ozy, along with Australian native insects and fallen petals, create a Vanitas arrangement.
A butterfly native to the coast of Northern New South Wales.
A custom framed that I designed specifically for this image was created, an arched form to complement the vertical composition.
Another study of the Paradise Riflebird, native to New South Wales, Australia, with a found nest
A cast drawing in charcoal and chalk.
Some carrots I unearthed in deep embrace, grown together.
A still life triptych exploring three variations on a geometric theme- exploring liminal boundaries and framing devices.
Agapantha flowers and hand blown glass- a mixture of textures, mark making and shape design come together in this central image.
Another way in which to inhabit space- the flowers create a relationship with the man-made and conceptual geometric limits of artificial shape.
Chroma! Light! Colour! Yay!
Three Apples, still life produced in Florence, Italy 2017.
Oil on Canvas, 2017
The small figure, nicknamed Ozy, along with Australian native insects and fallen petals, create a Vanitas arrangement.
A butterfly native to the coast of Northern New South Wales.
A custom framed that I designed specifically for this image was created, an arched form to complement the vertical composition.
Another study of the Paradise Riflebird, native to New South Wales, Australia, with a found nest
A cast drawing in charcoal and chalk.